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An optional explanation about the anagram in green, the subject is in black, the anagram is in red.

901

[John Brehm's FOURTH OF JULY is anagrammed into another poem titled BIRTHRIGHT containing three constraints. ]


FOURTH OF JULY
By John Brehm

Freedom is a rocket,
isn’t it, bursting
orgasmically over
parkloads of hot
dog devouring
human beings
or into the cities
of our enemies
without whom we
would surely
kill ourselves
though they are
ourselves and
America I see now
is the soldier
who said I saw
something
burning on my
chest and tried
to brush it off with
my right hand
but my arm
wasn’t there—
America is no
other than this
moment, the
burning ribcage,
the hand gone
that might have
put it out, the skies
afire with our history.


BIRTHRIGHT

Riots mirror her vivid thoughts;
Eight hours objecting to the behemoth.
Dove and hawk, brothers working together,
We dare to put our religion in
Harm's way. Tomorrow
I'd leave if I can diminish this
Thorny immature untruth. Time to move him out,
End idiocies at the monolith. Moonlighting Bobby,
A Tucson officer, arrests us.
No matter what, we shame him to
Do unreal stuff, we must
Barf inside his car. The
Lull passes though. When can
Us Kaelebs and Yousefs journey freely, like using
E-tags on a Sydney highway?

[The acrostic constraints RED WHITE AND BLUE. THE AMERICAN FLAG and STARS AND STRIPES are located in the 1st, 4th and 5th letters respectively because 14 is for June 14 which is Flag Day, 15 is for the 15 Stars and 15 Stripes on the American Flag from May 1, 1795 to July 3, 1818. This is the only period in the entire 244-year history of the American Flag that it contained 15 Stripes. Otherwise, it has always been 13 Stripes representing the thirteen British colonies that declared independence from the Kingdom of Great Britain, and became the first states in the U.S.]

BIRTHRIGHT

RioTS mirror her vivid thoughts;
EigHT hours objecting to the behemoth.
DovE And hawk, brothers working together,
We dARe to put our religion in
HarM'S way. Tomorrow
I'd lEAve if I can diminish this
ThoRNy immature untruth. Time to move him out,
End IDiocies at the monolith. Moonlighting Bobby,
A TuCSon officer, arrests us.
No mATter what, we shame him to
Do uNReal stuff, we must
BarF Inside his car. The
LulL Passes though. When can
Us KAElebs and Yousefs journey freely, like using
E-taGS on a Sydney highway?


902


Olga’s Cruise Ship Diary.

DEAR DIARY – DAY 1
All packed for the cruise ship — all my loveliest dresses, swimsuits, short sets. Really, really exciting! Our local Red Hat chapter, The Late Bloomers, decided on this “all-girls” trip. It'll be my first one – and I cannot wait!

DEAR DIARY – DAY 2
Spent entire day at sea, beautiful. Saw whales and dolphins. Met our Captain, Vernon Brownlow, today — seems like a very nice man.

DEAR DIARY – DAY 3
At the pool today. Played some bowls and hit golf balls off the deck. Captain Brownlow invited me to join him at his table for dinner. Felt honoured and had a wonderful time. He's very attractive and attentive.

DEAR DIARY – DAY 4
Won £185 in the ship’s casino! Vernon, the Captain, asked me to have dinner with him in his own cabin. Had a scrumptious meal, with caviar and champagne. So nice! He asked me to stay the night, but I declined. Told him I'd never be unfaithful to my husband.

DEAR DIARY – DAY 5
Pool again today. Got sunburnt and went inside to drink at piano-bar, stayed for rest of day. Vernon saw me, bought me several large drinks, got me giggling with stories of funny experiences at sea. Really is quite charming. Again asked me to visit his cabin for the whole night. Again I declined. He told me, if I did not let him have his wicked way with me, he would sink the ship with everyone on board… I was shocked.

DEAR DIARY – DAY 6
Today I saved 3150 lives.
Twice


An Anagram Obsessive's Diary.

DEAR DIARY - DAY 1
Heard Beach Boys' 'Good Vibrations' on radio today. Thought: 'Hey, I'll anagram that.'
Letter count is 1350. It'll be a cinch.
Worked all night on it.
Unable to sleep, tune repeatedly circling round my head.

DEAR DIARY - DAY 2
Woke up with tune still in head.
Wife, Viv, asked if I'd mow lawn. Told her, "Yep. I'll have a quick pee, make us a cup of tea, then do lawn.
Whilst mid-pee, had a couple of ideas for 'gram. Booted up PC in bid to record them while still in head."
Three hours later, realised I hadn't made teas. Went to kitchen. Saw wife in garden mowing.
Went back on PC.

DEAR DIARY - DAY 3
Hardly slept last night as head awash with ideas. Spent all day on PC in a specific exercise to work them into the 'gram.
Saw Viv for first time over dinner. She didn't speak to me.
Ate meal in silence, then back to PC.

Dear Diary - 4
Those bloody vibrations aren't givin' me the excitations! I realise why Brian Wilson went doolally. I can't rid my head of them!

Dear Diary - Day 5
80% finished.
I still can't stop humming that bleedin' tune! I'm obsessed by it! I'm also slightly suicidal.
Just realised, haven't seen Viv for two days.
Found note on stairs saying: 'Have run off with used-car salesman. Mercifully, he doesn't even know what an anagram is.'
Hey-ho, her loss.

Dear Diary - Day 6
Finished 'gram.

Dear Diary - Day 15
'Good Vibrations' entry scored nil points in the voting. I'm devastated!


903


"The brilliant poppy flaunts her head
Amidst the ripening grain,
And adds her voice to sell the song
That August's here again."
- Helen Winslow


Oh bright, resplendent then
I saw the poppies tall, vain
as girls freshly rouge'd
dance on in heat, lighthearted
'til Autumn ends a show, again.


904


SONNET XVII
the Seventeenth Love Sonnet by the Chilean poet Pablo Neruda.

No te amo como si fueras rosa de sal, topacio,
o flecha de claveles que propagan el fuego:
te amo como se aman ciertas cosas oscuras,
secretamente, entre la sombra y el alma.

Te amo como la planta que no florece y lleva
dentro de sí, escondida, la luz de aquellas flores,
y gracias a tu amor vive oscuro en mi cuerpo
el apretado aroma que ascendió de la tierra.

Te amo sin saber cómo, ni cuándo, ni de dónde,
te amo directamente sin problemas ni orgullo:
así te amo por que no sé amar de otra manera,

sino así de este modo en que no soy ni eres,
tan cerca que tu mano sobre mi pecho es mía,
tan cerca que se cierran tus ojos con mi sueño.


I love you not as some aromatic rose of summer
or as a fieriness of carnation color attracts,
or as a cool jade artefact.

I love you as a secret gem's loved,
concealed amid a central quiet space:
a tranquil soul, one unexplored.

I love thee as a plant never opens carries
an essence of a bloom, a quite unique
aroma; an amor once accommodated
deep in me can come to bloom too.

I adore thee: a simple quiet love;
uncalculated, undemanding, unconquerable,
no masquerade, no arrogance or pride.
I adore thee as I possess no other means.

Remember, as I see thy hand at peace on my
breast is also mine too, even as sleep comes
to tranquilize us, as our eyes go dull and close,
a pair can seem to melt and become one.


905


BONFIRE IN THE GARDEN
(November 5th Mishap)

A note came through our door, delivered by the local scouts,
It read: ‘We collect waste paper, so please don’t throw yours out!
‘Just leave it on your doorstep (tied in bundles if preferred)
‘On each alternate Friday, starting May the twenty-third.’

I read it to my wife and moaned, “I can’t be faffed with that,”
She glared at me and growled, “Oh, yes you can and that's a fact!
“It helps them earn much-needed funds,” she said with huffs and sighs,
“You should be sympathetic to such youthful enterprise.”

Now, friends, if you know Brenda, then you'll know she rules by fear,
Her laser-glare bored through me and I answered, “OK, dear.”
So every week I bound them up with string (for extra grip)
Old Daily Mails and paper bags and losing lotto slips.

I left them on the doorstep on the twenty-third of May,
But, contrary to promises, they did not call that day
They did not call both times in June, nor both times in July,
Then didn't call the next month and the stack had grown sky-high

September came, the boy scouts didn’t, nor October too,
And all the while the stack of papers grew and grew and grew.
On Guy Fawkes night I huffed, “No more! My patience now is shot;
I’ll build a bonfire in the garden - burn the bloody lot!”

All evening it took to heft that paper through the house,
And all the while I muttered muffled curses at my spouse;
For it was she who'd said we should support the local scouts,
As far as I’m concerned they’re more a bunch of feckless louts.

When finally the fire was made, I gave a great big sigh,
That looming pile of paper was well over ten feet high!
In other gardens down the road, the fireworks had begun;
If other folk were at it, hell, then I should join the fun!


My waiting pile was ready, but before I struck my match...
That gallon of stale petrol in the shed should help it catch!
I poured the fuel upon the fire and lit it at the base,
Woomph! it went and singed the brows and lashes off my face.

Fiery sheets of paper fluttered way up in the sky,
Then fell to ground, still burning, on my neighbours' plots nearby.
At Number 5 the lid was off their jumbo firework box,
Some hot ash landed in it and set off the bloody lot!

There were Catherine wheels and rockets, some Roman candles too,
And things that screamed and things that banged and things that went woo-hoo!
A rocket soared into the shed of Cyril Jaye next door,
Where cylinders of butane for his caravan were stored…

The mighty blast that followed blew the roof clean off his shed,
And vicious wooden splinters flew like missiles past my head,
Huge lumps of molten roofing-tar dripped into woods nearby,
Igniting ancient undergrowth where everything was dry.

The greedy flames jumped up the trees and turned the grey sky red,
Then danced up spindly branches, melting power lines overhead,
As all the lights went out in every house in our parade;
I grabbed my torch and ran inside to ring the fire brigade.

As I waited in the outhouse, having made my fateful call,
A knock came on the door, just at the far end of the hall,
I turned my torch towards the sound, and through the frosted glass,
Saw silhouettes of uniforms; My firefighters, at last!

I rushed to let them in but tripped up on the hallway rug,
My head bounced off a wall then hit the oak door with a thud;
I weakly reached to open it, and looked up through the blur…
Two boy scouts said, “Hello, we’ve come to collect your paper, sir!”

(Anon)


906


THE DEVIL WENT DOWN TO GEORGIA
by The Charlie Daniels Band

The Devil went down to Georgia,
He was lookin' for a soul to steal,
He was in a bind, 'cause he was way behind,
And he was willin' to make a deal.

When he came upon this young man,
Sawin' on a fiddle and playin' it hot,
And the Devil jumped up on a hickory stump,
And said, "Boy, let me tell you what!

I guess you didn't know it,
But I'm a fiddle player too,
And if you'd care to take a dare,
I'll make a bet with you.

Now you play a pretty good fiddle, boy,
But give the Devil his due,
I'll bet a fiddle of gold against your soul,
'Cause I think I'm better than you!"

The boy said, "My name's Johnny,
And it might be a sin,
But I'll take your bet, and you're gonna regret,
'Cause I'm the best there's ever been!"

Johnny, rosin up your bow and play your fiddle hard,
'Cause hell's broke loose in Georgia,
And the Devil deals the cards,
And if you win, you get this shiny fiddle made of gold,
But if you lose, the Devil gets your soul.

The Devil opened up his case,
And he said, "I'll start this show",
And fire flew from his fingertips,
As he rosined up his bow.

Then he pulled the bow across the strings,
And it made an evil hiss,
And a band of demons joined in,
And it sounded something like this...

When the Devil finished,
Johnny said, "Well, you're pretty good, old son!
But sit down in that chair right there,
And let me show you how it's done!"

He played Fire on the Mountain run boys, run,
The Devil's in the House of the Rising Sun,
Chicken in a bread pan pickin' out dough,
Granny, does your dog bite? No child, no.

The Devil bowed his head,
Because he knew that he'd been beat,
And he laid that golden fiddle,
On the ground at Johnny's feet.

Johnny said, "Devil, just come on back,
If you ever want to try again.
I done told you once, you son of a bitch,
I'm the best that's ever been!"

He played Fire on the Mountain, run boys, run,
The Devil's in the House of the Rising Sun,
Chicken in a bread pan pickin' out dough,
Granny, does your dog bite? No child, no.


THE DEVIL WENT DOWN TO HORSHAM
by The Fields Of Finian String Ensemble

One day, the Devil, he visited Horsham,
(To Barns Green, to be precise).
His demeanour, everyone would say,
Was unkind, ornery...not very nice!

He took out his pointy double bass,
(He'd painted it in a sanguine red,
To intimidate young Chris Sturdy..."HSP",
In a low-down shoot-out, head-to-head).

He duly strode into the Village Hall, high noon,
Eyeing various individuals playing Scrabble,
He boomed, "Hey you! You're this bull-fiddle guy, huh?"
Said HSP, "Why, indeedy! I dabble!"

To uncouth, ungodly laughing,
The Devil, he duly made a hideous start,
(Loose 'E' for to blame for an annoying sound,
Like a hippo's runny fart).

Then he ruined 'Touch' (by Stanley Clarke),
Everyone dumbfounded, awed, mouth agape...
By jove! An unholy noise like a tinful of spanners,
Down an iron fire escape.

HSP, he took over, undaunted,
He gave Lucifer what for!
He did a dynamite 'Johnny Got A Boom Boom'...
'Moondance'...'The Lovecats', by The Cure.

He straddled it, slapped it good, so good,
In a jaunty 'Rockabilly Rebel',
An astounding, and thunderous, window-rattling sound,
Woody, with a lack of treble.

The two lines in 'Walk On The Wild Side',
He even did at the same time!
In 'Runaway Boys' (by The Stray Cats),
His intonation was indeed sublime!

He did 'Hound Dog', and 'Heartbreak Hotel' too,
While blindfolded, one hand tied behind his back,
A just insane 'Flight Of The Bumblebee',
Fire-eating, spinning a plate stack.

He did a fine, fluid Haydn fugue, with the bow,
Then laid it defiantly down onstage,
The jealous Devil's face was red as his bass,
It just contorted in satanic rage.

This highly-intense half-marathon done,
HSP was no doubt indeed drained.
The dejected Devil was distraught, though,
The indignity! I kid you not, he was pained!

"You keep this humiliation to yourself,
Your Majesty I implore you!", weepy Old Nick begs...
Owned, he flounced out, back up to Rochester,
In ignominy, tail between his legs.


907

[W.H. Auden's celestial poem is anagrammed into another poem discussing the usage of 'alien', with a fitting visual constraint detailed below it:]


W.H. Auden's poem 'The More Loving One'

Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.

How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.

Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.

Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.


An Ode About AlieNation

I'd claim that 'alien' looks vile
For foreign toil (or migrant work):
It hailed from that inane, weird pile
Of quaint 'cliches' or tragic 'quirks';
Folks let it thrive, though (we all knew)
Those tense foundations could spell fear,
Then, please, how would they nettle you -
These latest 'blights' who settle here?
They're spent and haven't slept in days
And we don't give them room or breaks;
Dim mates may bark some racial phrase
But most can't see our big mistake:
If we would doom those from afar
To more strain and damnation,
It absolutely means we are
The true AlieNation.

[For the constraint, when the text is centered, monospaced, and only the words in the poem that are spelled entirely with the letters P-L-A-N-E-T-S are highlighted, it becomes an alien's face:]


An Ode About AlieNation

I'd claim that 'alien' looks vile
For foreign toil (or migrant work):
It hailed from that inane, weird pile
Of quaint 'cliches' or tragic 'quirks';
Folks let it thrive, though (we all knew)
Those tense foundations could spell fear,
Then, please, how would they nettle you -
These latest 'blights' who settle here?
They're spent and haven't slept in days
And we don't give them room or breaks;
Dim mates may bark some racial phrase
But most can't see our big mistake:
If we would doom those from afar
To more strain and damnation,
It absolutely means we are
The true AlieNation.

908


“Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tossed, to me:
I lift my lamp beside the golden door.”
- Emma Lazarus


Seemed Mr. Trump, in a doozy of a Tweet,
Though US sees no system, method, remedy, or remorse,
Delightedly ordered his bullyish repeat
Theme of deportation, obeyed of course:
Leaving refugees at shelters in summer heat.