The Special Category

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An optional explanation about the anagram in green, the subject is in black, the anagram is in red.

901


AN AUTUMN MORNING

I got dressed.
Approached the window.
Outside: autumn.
My friend came in. His coat was wet.
He made my whole room smell of rain.
Not even a "hello".
He sat down.
Lost in thought
He said: "Autumn."

That word was so fresh
Like an orange on a branch
After the rain.


MOTHERHOOD

So, washday duties.
Oh, must it rain
The woman mused
On rising,
Now, as the machine vibrated
And clattered, feeling somehow wrong.
Where's that manual?
The floor's wet
And all's undone.

Oh, when can I dream again of
culture, fame, opportunity,
another man, I ask?


902


Under a spreading chestnut-tree
The village smithy stands;
The smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.


Beside an ashy mirthless tree,
Enormity in width and stance,
A damsel gathers flow'rs three,
Unblemish'd in caring hands.
Gusts a-thriving, arms then sway:
The mahogany up stands.


903


THE REFLEX
By
Duran Duran

You've gone too far this time
And I'm dancing on the valentine
I tell you somebody's fooling around
With my chances on the danger line
I'll cross that bridge when I find it
Another day
To make my stand, oh oh
High time is no time for deciding
If I should find a helping hand, oh oh

Why don't you use it?
Try not to bruise it?
Buy time don't lose it

Why don't you use it?
Try not to bruise it?
Buy time don't lose it

The reflex is a lonely child
Who's waiting by the park
The reflex is a door to finding
Treasure in the dark
And watching over lucky clover
Isn't that bizarre
Every little thing the reflex does
Leaves you answered with a question mark

I'm on a ride and I want to get off
But they won't slow down the round-about
I sold the radio and TV set
Don't want to be around when this gets out

So why don't you use it?
Try not to bruise it?
Buy time don't lose it

Why don't you use it?
Try not to bruise it?
Buy time don't lose it

The reflex is a lonely child
Who's waiting in the park
The reflex is a door to finding
Treasure in the dark
And watching over lucky clover
Isn't that bizarre
Every little thing the reflex does
Leaves you answered with a question mark

So why don't you use it?
Try not to bruise it?
Buy time don't loose it

Why don't you use it?
Try not to bruise it?
Buy time don't lose it

The reflex is a lonely child
Who's waiting by the park
The reflex is a door to finding
Treasure in the dark
And watching over lucky clover
Isn't that bizarre
Every little thing the reflex does
Leaves you answered with a question mark

Oh the reflex what a game
He's hiding all the cards
The reflex is in charge of finding
Treasure in the dark


THE BLOODY REFLUX
A Song by Art Burn

"Boy, you've gone too far this time,"
I told myself after I'd dined,
"That dodgy vindaloo was too darned hot,
And you drank too much strong, red wine.
Soon you'll be in trouble when you lie
Down in your bed,
That horrid gurgling will start,
Then in your belly something will ignite
Then set fire to your heart, oh, no no nooo!"

Doh, why'd I do it?
I vindaloo'd it,
I knew I'd rue it.

Oh, Holy Father,
What a palaver,
It's molten lava!

The reflux hits me every day,
It visits in the night.
I take six Seltzers every time yet
They never, never set me right.
Nor Gaviscon, nor Rennies, nor
Other set remedies,
Yet, once that fiery reflux strikes,
Any thoughts of dozing soon take flight.

I visited an acupuncturist,
The trendy needle treatment to try,
But when I lay down on the table,
I felt the dreaded reflux rise.

It's costin' big bucks,
This soddin' reflux,
Yet I've had no luck.

I do not get it,
I'm eatin' tidbits,
But still it won't quit!

The reflux is a lonely thing,
When it is two a.m.
You're sittin' in bed wide awake,
And in a really horrid way, then
You think an ice-cold beer may be the
Thing to quell the inner burn,
But, oddly, it doesn't douse the fire,
It only makes it start again!

Reflux, I can't excuse you
I did not choose you
I yearn to lose you!

I'm very worried,
I feel so horrid,
It's very torrid,

When Kate Bush wrote that Wuthering Heights
She knew a thing or two,
She droned of 'Bad dreams in the night'
And all that they can do,
It was not Cathy who was causin'
Heathcliffe's discontent,
'Twas the bloody reflux I'm quite sure,
That made the poor sod so uptight.

When I was young I used to
Talk of sex etcetera,
Now I talk of my reflux,
Isn't that bizarre?


904


Freddy checked into a hotel on a business trip and was feeling rather lonesome and frustrated.

He thought of the girls' photos he had seen advertised in telephone booths when he'd phoned for a cab in the past.

He popped into a telephone booth near the hotel and spotted an ad for a kittenish girl who called herself Demelza; a quite beautiful female, bending over teasingly in the photograph.

Demelza had all the right curves in the right places; beautiful long, dark, wavy hair; gorgeous, endless legs... well, you get the picture!

Freddy wrote down Demelza's phone number then rushed back to the hotel.

Back in the room Freddy figured, 'what the heck, I'll give her a call!'

'Hello,' the woman said. God, she sounded sexy!

'Hi,' said Freddy, 'I hear that you give a sensational massage and I'd like you to come to my hotel room and give me one...

'No, wait; let me be completely specific here. I am in town, I am alone and what I really desire is sex. I want it hard, and I want it very hot, and I want it now.

'Bring lots of implements, kinky toys; leather straps; rubber cucumbers; everything you've got in your bag of tricks.

'We'll get hot and steamy; tie me up, smear me with chocolate syrup and whipped cream; be crazy all night. Whatever you want! How does that sound to you?'

She said, 'It sounds quite fantastic, but you need to press 9 for an outside line.'


Dublin Zoo had acquired the female of a rare species of gorilla.

Within a few weeks, the gorilla had begun to be very cantankerous and difficult to handle.

Upon examining her, the zoo's vet discovered the problem.

The gorilla was on heat...

To make matters worse, no male gorillas of the species were available.

While reflecting on the problem, the management chanced to see Paddy, a chunky Dubliner chap, and former No. 9 rugby player, who was responsible for the zoo's general maintenance.

Paddy, like most single, strapping Irishmen, seemed to be blessed with the ability to satisfy the ladies of any species.

The zoo administrators thought Paddy might possibly be the solution to their problem, so they approached him with a rather unusual suggestion.

Would he be willing to have sex with the gorilla for five hundred euros?

The stunned Paddy replied that he'd need to think the matter over carefully.

The following day, Paddy announced that, after due thought, he would accept their suggestion, but only under three conditions:

'Firstly,' he said, 'Oi don't wanna have ta kiss her.'

'Secondly, ya must never tell anyone about dis.'

The management quickly agreed to these conditions, then they asked him what the third one was.

'Well,' said Paddy, 'Ya gotta give me another week to come up with da foive hundred euros.'


905

[Stanley Kunitz's poem END OF SUMMER is anagrammed into another poem entitled GONE IN SUMMER with tthe following acrostic constraint: GILROY, EL PASO, DAYTON]


END OF SUMMER
by Stanley Kunitz

An agitation of the air,
A perturbation of the light
Admonished me the unloved year
Would turn on its hinge that night.

I stood in the disenchanted field
Amid the stubble and the stones,
Amazed, while a small worm lisped to me
The song of my marrow-bones.

Blue poured into summer blue,
A hawk broke from his cloudless tower,
The roof of the silo blazed, and I knew
That part of my life was over.

Already the iron door of the north
Clangs open: birds, leaves, snows
Order their populations forth,
And a cruel wind blows.




GONE IN SUMMER
In Memoriam

Leon hushed a small woeful child,
Ruiz sobbed for one neighbor.
Oh, no! A tot heard the shots,
Ysabel knelt to pray to the Savior.

Edmundo muffled a howl for
Latinos hurt, broken and bloody.
Phoebe's wish is now widowed,
Alvarez lost that drinking buddy.

Sons mourn for their mom,
Ortiz will inter that truthful friend.
Daughters need the doomed father
As that life comes to a twilit end.

Young ones without a parent,
Teenagers will be missed in a clan.
Officemates have attended the wake,
NRA lobbyists propose a PR plan.


906


A man is driving down the road and breaks down while driving by a monastery. He rings the bell and says to the monks who answer, "My car broke down. I'm wondering if I might stay the night." They graciously accept him, give him dinner, and even fix his car. Afterwards, just as the man is going to sleep, he hears this strange noise. The next morning when he gets up, he asks them what the noise was, but they just say, "We can't tell you. You're not a monk."

The man is disappointed but thanks them anyway and goes about his merry way. Some years later, the same man's car breaks down in front of the same monastery. The monks again accept him, again feed him, and again fix his car. That night, he hears the same strange noise that he had heard years earlier. The next morning, he asks what it is, but the monks reply, "We're still not going to tell you. You're not a monk."

The man says, "All right, all right. I'm dying to know what it is. If the only way I'm going to find out what that sound was is to become a monk, how do I get to be a monk?"

The monks reply, "You must travel the earth and tell us how many blades of grass there are and the exact number of sand pebbles. When you find these numbers, you will become a monk." The man sets about his task.

Quite a few years later, he returns to the monastery. He says, "I have traveled the earth and have found what you have asked for." With that, he correctly tells them how many blades of grass and sand pebbles there are on the earth.

The monks reply, "Right! Congratulations! You are now a monk. We shall now show you the way to the unusual sound." They lead the man to a wooden door where the head monk says, "The sound is right behind that door." But the wooden door is locked.

He says, "Real funny! May I have the key?" The monks give him the key, and he opens the door. Behind the wooden door is a rigid door made of stone.

The man demands a key to the stone door. The monks give him the key, and he opens it, only to find a door behind it made of ruby. He demands a key from the monks, who provide it.

Behind that door is another door, this one made of shining sapphire, And so it went until the man had gone through doors of emerald, silver, topaz, and amethyst.

Finally, the monks say, "This is the final key to the final door." The man is relieved to know that he has finally reached the end of his trial. He unlocks the door, turns the knob, and behind this door he is amazed to find the source of that strange sound.

I bet you want to know what it is.

Well, pal, I can't tell you what it is because you're not a monk!


A man walks into a honkytonk one afternoon, and pauses -- at the other end of the hardwood bar, there's a blond man who has a big orange head! He's just sulking there, looking kind of heavyhearted, mooning into his drink. The man asks the bartender, "So, what's with the character with the big orange head?" The bartender motions, "Oh, that kook?! That man, Don by name, has an entertaining story. Offer to buy a whiskey and he'll probably be glad to tell you."

So, the man walks over, approaches the other man, says, "Excuse me," and introduces himself. He offers to buy another round. The man with the big head nods, halfheartedly, "Yeah. So, then I guess you'd like to know my story?" The man comments, "Thanks. I'm very interested, if it's not any trouble."

After a short toast, the chunky orange-headed man takes a shot, and starts his long memoir: "You know, I think I must have told this story fifty-thousand times. As I recall, it's something like this: I'm trekking down the beach one day, when I stub my toe on something hard. I look down at my foot, to see an odd antique brass lamp. I pick it up and dust it off with a handy smooth cloth -- when 'Huh?', out pops a monumental overgrown genie!

"The genie kowtows, 'Hurrah! You have released me from my ten-thousand-year imprisonment in this hot lamp, and I am in debt. I need to grant you three wishes as a token of my extreme gratitude.'

The bar customer is enthralled. "That's marvelous!" he says. And the storyteller with the big orange head continues: "After that, I say, 'Wow, fantastic! Well, my first wish is to be the most wealthy landowner alive.'

"Needless to say, as expected, the genie says, 'Your wish is my command!' Suddenly, I have rings on all my short fingers, a pharoah's crown on my head, a sky-high throne, and a smoky hookah. My wallet is full of money, dozens of ATM cards, and the deed to the highest hotel in New York -- I'm loaded!

"I say, 'Ooh, amazing! Okay, for my next wish, I demand to be the debonair husband to the most beautiful, devoted, and attentive trophy woman in the world.'

"'Oh, right! Your wish is granted!" Then, as the genie speaks, the ocean parts and out walks a beautiful woman in a stylish trendy dress. She holds my hand and we fall in love. The genie hooks us up right then and there. He's an excellent matchmaker, and the honeymoon is incredible!

"However, the genie reverberates, 'You have just one more wish!'"

Then, the tormented man with the big orange head pauses and holds onto his drink. He says, "Wait. You know, that may be where I went wrong. I wished for a big orange head."


907


Pity The Nation
By the highly celebrated seer, poet, and writer of prose, Khalil Gibran, who was born during the time of the Ottoman Empire (north of modern-day Lebanon),
the author of "The Garden of the Prophet", which narrates Almustafa's continuing discussions with disciples after many long years of intervening absence.

Pity the nation that is full of beliefs and empty of religion.
Pity the nation that acclaims the bully as hero,
and that deems the glittering conqueror bountiful.

Pity a nation that despises a passion in its dream,
yet submits in its awakening.

Pity the nation that raises not its voice
save when it walks in a funeral,
boasts not except among its ruins,
and will rebel not save when its neck is laid
between the sword and the block.

Pity the nation whose statesman is a fox,
whose philosopher is a juggler,
and whose art is the art of patching and mimicking.

Pity the nation that welcomes its new ruler with trumpeting,
and farewells him with hooting,
only to welcome another with trumpeting again.


Pity the Nation (After Khalil Gibran)

I think, activist Ferlinghetti's stunning chastisement and flaming of national shortcomings, known hijinks, fact spinning, twisting bits of information,
untruthful bragging, brown victim shaming, failings, and incompetence--attain maximal impact.

(I think, the stunt of naming it after the man Gibran will win plagiarism suits!)

Pity the nation whose people are sheep,
And whose shepherds mislead them.

Pity the nation whose leaders are liars,
Whose sages are silenced,
And whose bigots haunt the airwaves.

Pity the nation that raises not its voice
Except to praise conquerers
And acclaim the bully as hero,
And aims to rule the world
By force and by torture.

Pity the nation that knows
No other language but its own,
And no other culture but its own.

Pity the nation whose breath is money
And sleeps the sleep of the too well fed.

Pity the nation, oh pity the people
who allow their rights to erode,
and their freedoms to be washed away.

My country, tears of thee,
Sweet land of liberty!