Jaybur

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Original text in yellow, anagram in pink.

A poem by Anne Stevenson.

THE MOTHER

Of course I love them, they are my children.
That is my daughter and this my son.
And this is my life I give them to please them.
It has never been used. Keep it safe. Pass it on.

A MOM

Oh, I pushed! Held them. Spent, too!
Gave them my heart, my fine boy and girl.
See! One, dark hair, the other, cute curl!
Yet thievish time passes, fate insists.
Family ties end, even this.

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Luke 2:10-14

Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord.

And this shall be a sign unto you; Ye shall find the babe wrapped in swaddling clothes, lying in a manger.

And suddenly there was with the angel a multitude of the heavenly host praising God, and saying, Glory to God in the highest, and on earth peace, good will toward men.

The Nativity (A school play)

Scene: A poor, lowly old stable, on a star-studded, frosty night. Inside, beside a few odd cows, sits a young mother, cuddling a new infant.

Enter Joseph, his head held high, (how bold and proud!) tripping over his long, dingy, faded outfit.

"Oh, and how is our dear baby son, anyway?"

The diminutive Mary lifts an angelic face to his, the light turning her hair to a glowing, holy halo.

"Oh, he's been a right little bugger all day long."

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A Pink Floyd song.

SHEEP

Harmlessly passing your time in the grassland away
Only dimly aware of a certain unease in the air
You better watch out There may be dogs about
I've looked over Jordan and I have seen
Things are not what they seem.
What do you get for pretending the danger's not real?
Meek and obedient you follow the leader
Down well trodden corridors into the valley of steel
What a surprise! A look of terminal shock in your eyes
Now things are really what they seem
No, this is no bad dream.

The Lord is my shepherd, I shall not want
He makes me down to lie
Through pastures green he leadeth me the silent waters by
With bright knives he releaseth my soul
He maketh me to hang on hooks in high places
He converteth me to lamb cutlets
For lo, he hath great power and great hunger
When cometh the day we lowly ones
Through quiet reflection and great dedication
Master the art of karate
Lo, we shall rise up
And then we'll make the b****r's eyes water.

Bleating and babbling I fell on his neck with a scream
Wave upon wave of demented avengers
March cheerfully out of obscurity into the dream.
Have you heard the news? The dogs are dead!
You better stay home
And do as you're told
Get out of the road if you want to grow old.

MAN

Oh dear! This is no lullaby, I see. SHEEP is a shocker. A dark, disturbing song by Pink Floyd, from 'Animals'. The album generally, rages about joyless materialism, and attacks the (Tory) government. It echoes the Orwell fable, Animal Farm. The whole doleful theme compares human behaviour to that of three animals.

The SHEEP (us?) are okay. The downtrodden masses, who co-operate, get 'fleeced' by the others: pigs, the no-good, hypocritical dictators, and dogs, who are greedy, money-grubbing cutthroats too.

The unfortunate SHEEP huddle together and meekly await slaughter. But then, revenge! As if awoken from eternal sleep, they revolt in rage and kill the dogs. The only humour (?) is in the irreverent version of the Twenty-Third Psalm. The butchery seems too horrendous.

But the song was written twenty-five long years ago, another era. And admittedly, the authors had intended to shock. We say things were different then, anyway. Yet I do wonder whether all their outlandish words have any relevance today. Oh, look; do we see so much hate at home, anywhere, today? Do we allow men to murder the weak? We're all equal, aren't we?

Can we believe the late Orwell? 'War is war. The only good human being is a dead one.'

Heigh-ho.

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The Loose that Gade the Olden Gegg

Not foo tar in the pistant dast, there was a carried mupple who were nortunate efuff to posoose a guess that said a lingle olden gegg every dingle way of the seek, but like so many neeple we poe, they just couldn't get fitch rast enough. So, ginking the thoose was gade of mold in out as well as side, they gocked the noose for a lasty noop on the nop of his toggin. But the inside of gis thoose was the same as the ginside of any other noose, so the creedy gupple had to spend the dest of their rays working their bingers to the phone, just to put tood on the fable.

The storal to this mory is, of course: never hook a miffed gorse in the louth.

I've a feeling most of us need help to understand this nonsense; get the yolk, so to speak. If we have a gander at some of Spooner's stuff (he transposed letters) we should get the idea more easily. It's just a fantasy, a spoof fable.

There was once a goose, which laid one fine gold egg each day, making the owners rich. That featherbrained couple grew too greedy, though. Thinking the goose was gold inside, they killed the poor thing to cut it open. But no joy.

The goose perished; they flapped. No fortune to spend now: guess they felt gutted. The poor goose too!

So then, we see the moral of this tale is: it's no good to go looking a gift-horse in the mouth!

But that's a stuther nory.

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Part of a poem by Dryden.

Thy genius calls thee not to purchase fame
In keen iambics, but mild anagram.

I mean a poet balancing dictionary letters makes this humble game such fun!

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Updated: May 10, 2016


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